The Fujifilm X100S |
I got my first SLR, a Minolta SR-T-303, in 1974, and though it had a built-in light meter, nothing was automatic. Shutter speed, aperture, focus... everything had to be set manually. Over time, I became quite proficient at doing all this very quickly. Then came several other film-based SLRs with more and more automation. In 1998, I got my first digital camera, a Fujifilm MX-700. There followed an Olympus C-3040 Zoom, and finally two digital SLRs, a Nikon D70 and later the superb Nikon D300 that is still my main workhorse to this day.
For a long time now, I've been tempted to go back to a type of photography that doesn't rely on more and more sophisticated automation, but that forces the photographer to work a bit more. Though I never owned a rangefinder camera, I did shoot a few rolls of film with a borrowed one years ago and loved the feel of it. That camera had only one 35mm lens, and even that presented challenges I quite enjoyed. In fact, I took a series of photos during the 2010 Cannes film festival with only one fixed focal lens attached to my D300, and that, too, was a refreshing change from framing using a zoom ring.
When Fujifilm announced the X100 in September of 2010, I was tempted. Here was a camera that could be operated in full manual mode (I know that today's digital SLRs can, too, but you have to have used an old film-based manual SLR to understand just how cumbersome manufacturers have made the manual mode on modern cameras) and in all other respects seemed to be an excellent fit for what I was looking for. The many quirks mentioned in the reviews I read did dissuade me, though. In March of 2013, the successor of the X100, the X100S came out, and since it apparently fixed all the shortcomings of its predecessor, I went for it.
Many reviewers have stated that this camera has a steep learning curve. In my case, I think it's more accurate to speak of an "unlearning curve" because I have to get rid of countless habits acquired over a great many years. Is it fun? You bet! The camera is lightweight, very unobtrusive, and totally silent. No, not merely quiet: if one disables the shutter sound, it is absolutely silent. Generally, people don't seem to notice the X100S whereas a big SLR with a large lens is definitely an attention getter. The fact remains that I have to get used to this new camera; it will not replace my other equipment, but it should supplement it very nicely. Here, then, are a few (very much perfectible) first shots taken with the Fujifilm X100S.
Click on any image to see a larger (1500 x 1000 pixel) version!
The blue gate |
No parking: paint peeling |
Reading the morning paper |
On the Place Commandant Maria |
Rue du Châteauneuf |
Grocery store |
March 31: the beach cafés are opening |
On the Croisette |
Taking a break to enjoy a Cappuccino |
Enjoying the sun |
Sunglasses salesman: summer is coming! |
On the Croisette |
Nice weather for a stroll! |
The water is still too cold, but the beach is OK |
The waves are lovely |
Behind the film festival building |
Looking towards the Carlton hotel |
The Esterel under a layer of clouds |
If Pepto-Bismol came in trucks... |
Looking across the harbor to the Suquet |
April 10, 8:50 PM: The Quai Saint-Pierre |
The Ramona |
On the east end of the harbor |
The little park outside Town Hall |
In the Forville flower, vegetable and fruit market |
Twice as good as the supermarket at half the price |
Strawberry season is now all year round |
On the Rue du Marché Forville |
The station is getting a much needed facelift |
Scarf |
On the Rue Hoche |
Uncle Sam is closed! |
Lunch crowd at the Café des Arcades in Valbonne |
Valbonne meadow |
These photos were all taken between the very end of March and mid-April, 2013. The last two were shot in Valbonne, all the others in Cannes. No great shakes, but as stated above, this camera takes a bit of getting used to. In the meantime, I'm having a great deal of fun with it.
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